Friday, December 18, 2009

Real Training in the Chinese Arts

I just ran across an interview of Yang Fukui, a member of the Yang family who is known for his fighting prowess in full-contact competitions. I was immediately gratified to read that his training didn't consist of long forms, but rather of the individual movements in different combinations. This supports my arguments that modern Chinese arts are too focused on memorizing the forms and often fail to escape them. Here's a quotation (He's talking about Yang Banhou and Yang Jianhou, second-generation masters):

"First of all, they devoted most of their practice to gongfu and martial arts, not to health or “spiritual development,” although these two latter aspects certainly underlied their practice. Their emphasis was different. For example, they never practiced more than a two or three form or movements in sequence, in order to develop fighting skill and gongfu, and they never linked more than five forms together. There were no such things as the 24 or 85 or 108 form Taijiquan."

The entire article can be read here.

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